IBM British Ring Convention 2009 - Southport - The Presentation of Awards and The Late Gala
September 26th, 2009 - Richard MorrellThe awards were given as follows:
Ali Bongo Micro Magic Competition - Fay Presto
Dealers Trophy - Practical Magic
Rovi Trophy for Card Magic - Kevin Gallagher
Manipulation - Tai Hsiang Chou
Comedy Originality - Not Awarded
The Zina Bennett Close-up Trophy:
1st - Steve Dela
2nd - Rob James
3rd - Kevin Gallagher
The British Ring Shield
1st - Tai-Hsiang Chou
2nd - Dave Andrews
3rd - The Amazing Norvil Josephine
Tony Rix compered the Late Gala, with a Torn and Restored Tissue Paper routine, an interlude with an Axtell Bird and a clock prediction, and some gentle humour, he kept the show flowing.
Brando and Silvana embody everything they talked about in their lecture. She is a Flower Seller, he is running a con game on the street, in the form of a cups-and-balls, find the ball, game. They go through the cups-and-balls routine with various loads including his wallet which she has stolen off him, that magically reappears underneath one of the cups. Finally for the dénouement as they hear the police approach she magically changes from her grey costume into a full colour gown, complete with colorful parasol, and he changes costume as well, and the box he has been playing on, changes into a park bench, where they innocently sit to avoid capture.
Pavels Rain of Ropes was a beautiful particularly continental style act. A portrayal of the seasons, which starts off with rain, and as he opens his umbrella ropes fall out. A wonderful selection of hs creative and inventive rope magic follows, colour changing ropes, jumping knots, blendos and rope splitting, finishes in a round-about way back with the umbrella which now contains a snowstorm, showering Pavel in snow.
Soma is the recent Grand-Prix winner at FISM with his mobile phone manipulation act. He starts by walking on carrying a coffee cup and newspaper, and performs a Torn and Restored paper, utilising a rewind bit, using the Lean illusion and a piece of the paper that flys back from where it was dropped on the floor. He then moves into coin manipulation, in order to operate the onstage payphone, and a series of mobile phone manipulations, vanishes and productions. Finally the act comes full-circle as he reproduces his glasses, the coffee cup and turns the last mobile phone back into his newspaper, as he walks off stage, with his brief-case magically following behind.
Peki was the final act, a one-trick pony which unfortunately left this reviewer cold. Possibly because it utilised a continous production of feather flowers, a prop which I feel should be banned from existence, from a giant production box, coupled with a manic assistant who ran around putting the flowers on-stage like her life depended on it. They finished by producing giant flags, to leave the stage covered in floral abundance.

It was standing room only for the Tyler Wilson lecture, with some getting their seats hours before the scheduled start. A packed audience hung on Tylers every word, an aberrant, adroit, meritorious, display of dexterity, which was the clear highlight of the convention and must certainly put Tyler in the picture for a Nobel Prize or at the very least a Merlin Award. This was accentuated by the fact he completely sold out of his notes and books, but that didn’t stop the long queue of good looking women, with Tyler having the arduous job of having to sign various body parts using nothing more than a blunt wax crayon.
Jonathan Shotton opened the show with his classical magic act incorporating a Linking Ring routine, Dove productions, Card Manipulation and a Snowstorm finale.
Thoms lecture was extremely funny with some great commercial magic that was easy to do, a winning combination. He started off with a routine called Surprise. A ladies ring was vanished in a flash of fire, and in its place was a Kinder Egg, Thom broke open the egg and took out the surprise and it contained the vanished ring.
John talked about his amazing life in magic starting off as a young lad working for Oscar Oswald who taught him Punch and Judy. He was then called up for national service. Whilst in the Army John developed a comedy routine that went on to be his Chelsea Pensioners act.
